{"id":1212,"date":"2024-07-13T13:33:25","date_gmt":"2024-07-13T10:33:25","guid":{"rendered":"https:\/\/erenyesilyurt.com\/?p=1212"},"modified":"2024-11-26T00:23:03","modified_gmt":"2024-11-25T21:23:03","slug":"nasrin-dastan-iranlilar-cin-resim-tarzini-kendi-sanatsal-vizyonlariyla-birlestirdiler","status":"publish","type":"post","link":"https:\/\/erenyesilyurt.com\/index.php\/2024\/07\/13\/nasrin-dastan-iranlilar-cin-resim-tarzini-kendi-sanatsal-vizyonlariyla-birlestirdiler\/","title":{"rendered":"Nasrin Dastan: \u0130ranl\u0131lar, \u00c7in resim tarz\u0131n\u0131 kendi sanatsal vizyonlar\u0131yla birle\u015ftirdiler"},"content":{"rendered":"\n

T\u00fcrk nas\u0131l resim yapar? D\u00fcnyaya nas\u0131l bakar? T\u00fcrk resminde olan de\u011fi\u015fimler zihin d\u00fcnyam\u0131zdaki de\u011fi\u015fimleri yans\u0131t\u0131yor. \u00c7\u00fcnk\u00fc  d\u00fc\u015f\u00fcnce d\u00fcnyam\u0131zda her sorun hayat\u0131n her alan\u0131na sirayet ediyor. T\u00fcrk minyat\u00fcr\u00fcn\u00fcn tarihi \u00fczerine bir \u00e7ok eser var. Son zamanlarda i\u015fin teorik arka plan\u0131 anlamaya \u00e7al\u0131\u015fan Beliz G\u00fc\u00e7bilmez <\/a> ve \u00d6zlem Hemi\u015f<\/a>\u2019in eserleri \u00f6nemli bir bo\u015flu\u011fu dolduruyorlar.<\/p>\n\n\n\n

\u00c7in resim sanat\u0131n\u0131n minyat\u00fcr sanat\u0131 nas\u0131l etkiledi\u011fi, \u00c7in resim sanat\u0131n\u0131n teorik k\u00f6kenleriyle ilgili ara\u015ft\u0131rma yaparken Nasrin Dastan\u2019n\u0131n \u0130ran Minyat\u00fcrlerinde \u00c7in Unsurlar\u0131 <\/em><\/a> kitab\u0131yla kar\u015f\u0131la\u015ft\u0131m. Kitab\u0131 al\u0131p okuyamasakta en az\u0131ndan yazar\u0131yla r\u00f6portaj yapt\u0131k.<\/p>\n\n\n\n

Sizi tan\u0131yarak ba\u015flayal\u0131m.<\/em><\/strong><\/p>\n\n\n

\n
\"\"
Nasrin Dastan<\/figcaption><\/figure>\n<\/div>\n\n\n

\u0130ran’\u0131n Tahran \u015fehrinde do\u011fdum. E\u011fitim hayat\u0131m boyunca \u00c7in sanat tarihi \u00fczerine yo\u011funla\u015ft\u0131m ve bu alanda \u00f6zellikle Han ve Tang hanedanl\u0131klar\u0131 d\u00f6nemi \u00fczerine \u00e7al\u0131\u015ft\u0131m. Pekin’deki \u00c7in Merkez G\u00fczel Sanatlar Akademisi’nden \u00c7in Sanat Tarihi alan\u0131nda doktora derecesine sahibim. \u015eu anda \u0130ran Sanat Akademisi’ne ba\u011fl\u0131 Sanat Ara\u015ft\u0131rmalar\u0131 ve Akademik Ara\u015ft\u0131rma Enstit\u00fcs\u00fc’nde (IASAR) Sinolog olarak g\u00f6rev yap\u0131yorum ve Tarih\u00e7i Do\u011fu Sanatlar\u0131 B\u00f6l\u00fcm\u00fc’nde Yard\u0131mc\u0131 Do\u00e7ent olarak \u00e7al\u0131\u015f\u0131yorum. Ayn\u0131 zamanda \u0130leri Ara\u015ft\u0131rma Enstit\u00fcs\u00fc’nde Do\u011fu Sanatlar\u0131 B\u00f6l\u00fcm\u00fc’n\u00fcn ba\u015fkanl\u0131\u011f\u0131n\u0131 y\u00fcr\u00fct\u00fcyorum.<\/p>\n\n\n\n

Bize bug\u00fcn \u0130ran minyat\u00fcr sanat\u0131ndan bahsedebilir misiniz? Ge\u00e7mi\u015ften g\u00fcn\u00fcm\u00fcze nas\u0131l bir yere do\u011fru evrildi?<\/em><\/strong><\/p>\n\n\n\n

\u0130ran minyat\u00fcrlerinde sanat\u00e7\u0131 do\u011faya tabi de\u011fildir. Sanat\u00e7\u0131, do\u011fay\u0131 oldu\u011fu gibi kopyalamaktan ziyade, izleyicinin g\u00f6rmek isteyece\u011fi kadar g\u00fczellik ve anlam yaratma \u00e7abas\u0131 i\u00e7indedir. Bu, sanat\u00e7\u0131n\u0131n hayal g\u00fcc\u00fc ve estetik anlay\u0131\u015f\u0131yla birle\u015ferek e\u015fsiz eserlerin ortaya \u00e7\u0131kmas\u0131n\u0131 sa\u011flar. Tasar\u0131m, kurallar ve renklendirme a\u00e7\u0131s\u0131ndan \u00e7ok belirgin \u00f6zelliklere sahiptir. Tasar\u0131mda ince detaylar, hassas \u00e7izgiler ve zengin renk paletleri kullan\u0131l\u0131r. Bu sanat dal\u0131, d\u00fcnya resim okullar\u0131 aras\u0131nda \u00f6zel bir yere sahiptir. \u0130ran minyat\u00fcrlerindeki incelik, detay ve estetik unsurlar, bu sanat\u0131n kendine \u00f6zg\u00fc \u00e7ekicilik ve cazibesini olu\u015fturur.<\/p>\n\n\n\n

\u0130slam’\u0131n ilk y\u00fczy\u0131llar\u0131nda ba\u015flayan \u0130ran minyat\u00fcr okullar\u0131 \u00f6nemli eserler b\u0131rakt\u0131. Bu d\u00f6nemde, resim sanat\u0131 Arap hatlar\u0131yla birle\u015fmi\u015f ve en iyi Kur’an n\u00fcshalar\u0131 yenilik\u00e7i \u0130ranl\u0131 sanat\u00e7\u0131lar taraf\u0131ndan yaz\u0131lm\u0131\u015f, s\u00fcslenmi\u015f ve yald\u0131zlanm\u0131\u015ft\u0131r. Kuran’\u0131n kenar s\u00fcslemeleri, ba\u015fl\u0131klar\u0131 ve s\u00fcl\u00fcs ve hatayi desenlerinin bile\u015fim d\u00f6n\u00fc\u015fleri stilize olarak adland\u0131rd\u0131\u011f\u0131m\u0131z \u00f6zel bir \u015fekilde icat edilmi\u015ftir. Bu d\u00f6nemin sanat\u00e7\u0131lar\u0131, g\u00fczellik ve anlam yaratma konusunda b\u00fcy\u00fck bir ustal\u0131k sergilemi\u015flerdir.<\/p>\n\n\n\n

G\u00fcn\u00fcm\u00fcz \u0130ran minyat\u00fcrleri, eski minyat\u00fcrlerden olduk\u00e7a farkl\u0131d\u0131r. Eski minyat\u00fcrler, geleneksel teknikler ve stilistik unsurlar \u00fczerine kuruluyken, g\u00fcn\u00fcm\u00fcz minyat\u00fcrlerinde perspektif ve y\u00fczlerin ger\u00e7e\u011fe yak\u0131n i\u015flenmesi gibi Avrupa klasik resimleri ve empresyonizm gibi modern sanat ak\u0131mlar\u0131n\u0131n etkilerini g\u00f6r\u00fcyoruz. \u0130ran minyat\u00fcr sanat\u0131n\u0131n modernize edilip Avrupa etkilerini bar\u0131nd\u0131rd\u0131\u011f\u0131n\u0131 g\u00f6steriyor.<\/p>\n\n\n\n

Ba\u011fdat Okulu ve Sel\u00e7uklu okullar\u0131 nas\u0131l etkiledi?  Bir de Mo\u011fol istilas\u0131 d\u00f6nemi var.<\/em><\/strong><\/p>\n\n\n\n

Ba\u011fdat Okulu, ilkel bir resim t\u00fcr\u00fc olarak yarat\u0131c\u0131lar\u0131n\u0131n beceri ve sanatsal g\u00fc\u00e7 eksikli\u011fini g\u00f6stermektedir ve \u00e7o\u011funlukla hikayeler ve dini gelenekleri i\u00e7ermektedir. Ba\u011fdat okulu sanat\u00e7\u0131lar\u0131 \u00e7o\u011funlukla \u0130ranl\u0131yd\u0131 ve genellikle Arap kabilelerinin ba\u015flar\u0131 ve y\u00f6neticilerinin emriyle el yazmalar\u0131n\u0131 kendi zevklerine g\u00f6re s\u00fcslemi\u015flerdir. Bu sanat\u00e7\u0131lar, \u00e7al\u0131\u015fmalar\u0131n\u0131 \u0130ran’\u0131n yak\u0131n ve uzak b\u00f6lgelerine kadar yaym\u0131\u015flard\u0131r.<\/p>\n\n\n\n

Sel\u00e7uklu Okulu’nda sanat\u00e7\u0131lar \u00c7in resimlerine a\u015fina olmu\u015flard\u0131r. \u0130ranl\u0131lar, \u00c7in resim tarz\u0131n\u0131 kendi sanatsal vizyonlar\u0131yla birle\u015ftirmi\u015flerdir ve bu tarz, \u0130ran’a Mo\u011fol istilas\u0131ndan y\u0131llar \u00f6nce yayg\u0131n bir uygulama olmu\u015ftur. Sel\u00e7uklu d\u00f6neminde \u0130ran resim sanat\u0131 \u00f6nemli bir ilerleme kaydetmi\u015ftir. Bu d\u00f6nemde yap\u0131lan eserler, \u00c7in resimlerinin etkilerini ve \u0130ranl\u0131 sanat\u00e7\u0131lar\u0131n yenilik\u00e7i yakla\u015f\u0131mlar\u0131n\u0131 yans\u0131tmaktad\u0131r.<\/p>\n\n\n\n

Cengiz Han’\u0131n \u0130ran’a sald\u0131r\u0131s\u0131ndan sonra Ba\u011fdat okulu tamamen ortadan kalkm\u0131\u015f, ancak Sel\u00e7uklu okulu Mo\u011fol d\u00f6neminde evrim ge\u00e7irmi\u015ftir. Mo\u011fol liderleri, \u00c7inli ressamlar\u0131 \u0130ran’a getirmi\u015f ve \u00c7in resmini yaymaya \u00e7al\u0131\u015fm\u0131\u015flard\u0131. \u0130ranl\u0131 sanat\u00e7\u0131lar, \u00c7inli ressamlar gibi do\u011faya duygular\u0131n sonu olarak asla \u00f6nem vermemi\u015f ve daha \u00e7ok insanlara ve insan durumlar\u0131na odakland\u0131lar. \u0130ran minyat\u00fcrleri, \u015fiir, k\u00fclt\u00fcr ve yerel d\u00fc\u015f\u00fcnme yollar\u0131yla ba\u011flar\u0131n\u0131 korumu\u015f ve bu durum, \u0130lhanl\u0131 ve Timurlu d\u00f6nemlerine kadar devam etmi\u015ftir. Mo\u011fol d\u00f6neminde, sanat\u00e7\u0131lar insan fig\u00fcrleri ve duygulara daha fazla odaklanm\u0131\u015f, bu da \u0130ran minyat\u00fcrlerinin kendine \u00f6zg\u00fc karakterini korumas\u0131n\u0131 sa\u011flad\u0131.<\/p>\n\n\n\n

Siz neden \u00c7in resminin \u0130ran minyat\u00fcr\u00fc \u00fczerine etkisine \u00e7al\u0131\u015ft\u0131n\u0131z? <\/strong><\/p>\n\n\n\n

\u00c7in Sanatlar\u0131 Tarihi’nin Han ve Tang d\u00f6nemine \u00e7al\u0131\u015f\u0131yordum. \u00c7in ve \u0130ran aras\u0131nda antik Adura’dan \u0130pek Yolu’na kadar bir\u00e7ok k\u00fclt\u00fcrel ve sanatsal ba\u011flant\u0131 buldum. Bunlardan biri de resim sanat\u0131ndaki etkilerin ba\u011flant\u0131s\u0131yd\u0131. Bu konu ilgimi \u00e7ekti ve \u00fczerine \u00e7al\u0131\u015fmak istedim.<\/p>\n\n\n\n

\u00c7in resminin temel \u00f6zellikleri nelerdir?<\/strong><\/p>\n\n\n\n

\u00c7in resmi, \u00c7in felsefesi ve edebiyat\u0131 ile derin bir \u015fekilde ba\u011flant\u0131l\u0131d\u0131r. Bu sanat formu, genellikle g\u00fczellik, bar\u0131\u015f ve uyum kavramlar\u0131n\u0131 ifade etmek i\u00e7in kullan\u0131l\u0131r. \u00c7in resminin k\u00f6kleri, insanlar\u0131n do\u011fayla olan ba\u011flar\u0131n\u0131 ve i\u00e7sel d\u00fcnyalar\u0131n\u0131 yans\u0131tma arzular\u0131na dayanmaktad\u0131r. Geleneksel \u00c7in fikirlerine g\u00f6re, \u00e7al\u0131\u015fkanl\u0131k, dinamizm ve tazelik b\u00fcy\u00fck \u00f6nem ta\u015f\u0131r. Bu nedenle, \u00c7in resminin temelinde insan\u0131n do\u011fayla olan ba\u011flant\u0131s\u0131n\u0131 ve i\u00e7sel geli\u015fimini vurgulayan bir anlay\u0131\u015f yatar.<\/p>\n\n\n\n

\n
\"\"\/<\/figure>\n\n\n\n
\"\"<\/figure>\n\n\n\n
\"\"<\/figure>\n<\/figure>\n\n\n\n

<\/p>\n\n\n\n

\u00c7in resmi, 3000 y\u0131ldan fazla bir ge\u00e7mi\u015fe sahip geleneksel bir sanat formudur. \u00c7in resmi genellikle ka\u011f\u0131t \u00fczerine siyah m\u00fcrekkep kullan\u0131larak yap\u0131l\u0131r ve geni\u015f bir stil ve teknik yelpazesi i\u00e7erir. \u00c7in resmi, \u00c7in felsefesi ve edebiyat\u0131yla harmanlanm\u0131\u015ft\u0131r ve genellikle g\u00fczellik, bar\u0131\u015f ve uyum kavramlar\u0131n\u0131 ifade etmek i\u00e7in kullan\u0131l\u0131r. \u00c7in resminin pop\u00fcler stillerinden baz\u0131lar\u0131 manzara resmi, ku\u015f ve \u00e7i\u00e7ek resmi ve y\u00fcz resmidir.<\/p>\n\n\n\n

Geleneksel \u00c7in resmi iki \u00f6nemli y\u00f6ntem ve stile ayr\u0131l\u0131r: Gonbi Meticulous<\/em>  \u5de5\u7b14  y\u00f6ntemi ve Freehand <\/em>\u5199\u610f  Xie Yi. Detay odakl\u0131 y\u00f6ntemde, detaylara dikkat etmek ve g\u00fczel bir g\u00f6sterim yapmak \u00f6nemlidir. Serbest el y\u00f6nteminde ise \u015fekiller g\u00fc\u00e7l\u00fc bir f\u0131r\u00e7a tekni\u011fi ve m\u00fcrekkep kullan\u0131larak g\u00f6sterilir. Bu y\u00f6ntem, \u015fekillerin d\u00fczenlenmesi ve mek\u00e2n yarat\u0131lmas\u0131nda ana ve belirleyici rol oynar. Serbest el tekni\u011fi, \u00f6zellikle do\u011fa ile insan aras\u0131ndaki ba\u011flant\u0131y\u0131 vurgular ve sanat\u00e7\u0131n\u0131n i\u00e7sel d\u00fcnyas\u0131n\u0131 d\u0131\u015fa vurmas\u0131n\u0131 sa\u011flar.<\/p>\n\n\n\n

\u00c7in resmi uzun zamand\u0131r \u0130ran halk\u0131 taraf\u0131ndan biliniyordu. \u00c7in resimleri, perdelerin boyanmas\u0131 \u015feklinde veya ithal edilen eserlerde dekorasyon olarak \u0130ran’a girmi\u015ftir. \u0130ranl\u0131lar \u00c7in resmini tan\u0131m\u0131\u015f ve ona ilgi g\u00f6sterdiler. \u00c7in resminin \u0130ran sanat\u0131na etkilerinin \u00e7o\u011fu \u0130slam sonras\u0131 ve \u00f6zellikle Mo\u011fol d\u00f6neminden sonrad\u0131r. \u00c7in resimlerinin \u0130ran minyat\u00fcr sanat\u0131na getirdi\u011fi en b\u00fcy\u00fck katk\u0131, detay ve renk kullan\u0131m\u0131ndaki titizlik olmu\u015ftur.<\/p>\n\n\n\n

\u00c7in resmi, \u0130ran minyat\u00fcr\u00fcn\u00fc nas\u0131l etkiledi?<\/em><\/strong><\/p>\n\n\n\n

\u0130ranl\u0131lar, minyat\u00fcr resimde yenilik\u00e7i ve kurucu olmu\u015f ve eski zamanlardan beri \u0130ran’da k\u00f6k salm\u0131\u015ft\u0131. Asl\u0131nda bu resim tarz\u0131, \u0130ran’dan \u00c7in’e gitmi\u015f ve ard\u0131ndan Mo\u011fol d\u00f6nemi s\u0131ras\u0131nda \u00c7in’den tekrar \u0130ran’a geri geldi. M.\u00d6. 5. yy’da , yani Ahameni\u015f krallar\u0131 d\u00f6neminde, av sahnelerini g\u00f6steren \u0130ran saraylar\u0131n\u0131n duvar resimleri \u00c7in’e gitti. M.\u00d6. 5. y\u00fczy\u0131ldan M.S. 8. yy’a kadar, \u0130ran resminin \u00c7in resmine etkisi b\u00fcy\u00fck oldu.<\/p>\n\n\n\n

Mo\u011follar\u0131n \u0130ran’a gelmesinden sonra, \u0130ran ve \u00c7in aras\u0131nda geni\u015f k\u00fclt\u00fcrel ve ekonomik ili\u015fkiler yeniden kuruldu. Mo\u011follar\u0131n resim ve astronomiye olan ilgisi, bu sanat ve bilimin y\u00f6netimleri s\u0131ras\u0131nda geli\u015fmesini sa\u011flad\u0131. Bu d\u00f6nemde \u0130ran resim ve \u00c7in unsurlar\u0131 yeni bir ba\u011f olu\u015fturmu\u015ftur. Timurlu d\u00f6neminde, \u0130ranl\u0131 sanat\u00e7\u0131lar \u0130ran resminde yeni bir okul ortaya \u00e7\u0131kt\u0131. Sultan H\u00fcseyin Mirza Baykara’n\u0131n h\u00fck\u00fcmdarl\u0131\u011f\u0131nda Mansur Musur Heravi ve Kemaleddin Bihzad gibi usta ressamlar\u0131n ortaya \u00e7\u0131kmas\u0131yla zirveye ula\u015fm\u0131\u015ft\u0131. Bu d\u00f6nemde Fars resminin \u00c7in k\u00f6kleri yoktu ve tamamen \u0130ranl\u0131yd\u0131.<\/p>\n\n\n\n

\u0130ran resminin \u00c7in resim sanat\u0131ndan etkilendi\u011fi d\u00fc\u015f\u00fcncesi tamamen do\u011fru de\u011fildir. \u0130ki medeniyet, tarihin belirli noktalar\u0131nda k\u00fclt\u00fcrel a\u00e7\u0131dan birbirlerini etkilemi\u015flerdir. Bu etkiler, resim sanat\u0131nda tamamen kar\u015f\u0131l\u0131kl\u0131 oldu.<\/p>\n","protected":false},"excerpt":{"rendered":"

T\u00fcrk nas\u0131l resim yapar? D\u00fcnyaya nas\u0131l bakar? T\u00fcrk resminde olan de\u011fi\u015fimler zihin d\u00fcnyam\u0131zdaki de\u011fi\u015fimleri yans\u0131t\u0131yor. \u00c7\u00fcnk\u00fc  d\u00fc\u015f\u00fcnce d\u00fcnyam\u0131zda her sorun hayat\u0131n her alan\u0131na sirayet ediyor. T\u00fcrk minyat\u00fcr\u00fcn\u00fcn tarihi \u00fczerine bir \u00e7ok eser var. Son zamanlarda i\u015fin teorik arka plan\u0131 anlamaya \u00e7al\u0131\u015fan Beliz G\u00fc\u00e7bilmez  ve \u00d6zlem Hemi\u015f\u2019in eserleri \u00f6nemli bir bo\u015flu\u011fu dolduruyorlar. \u00c7in resim sanat\u0131n\u0131n minyat\u00fcr… Continue reading →<\/span><\/a><\/span><\/p>\n","protected":false},"author":1,"featured_media":1377,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[1,59],"tags":[],"class_list":["post-1212","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-roportajlar","category-sanatcilar"],"yoast_head":"\nNasrin Dastan: \u0130ranl\u0131lar, \u00c7in resim tarz\u0131n\u0131 kendi sanatsal vizyonlar\u0131yla birle\u015ftirdiler - Eren Ye\u015filyurt<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/erenyesilyurt.com\/index.php\/2024\/07\/13\/nasrin-dastan-iranlilar-cin-resim-tarzini-kendi-sanatsal-vizyonlariyla-birlestirdiler\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Nasrin Dastan: \u0130ranl\u0131lar, \u00c7in resim tarz\u0131n\u0131 kendi sanatsal vizyonlar\u0131yla birle\u015ftirdiler - Eren Ye\u015filyurt\" \/>\n<meta property=\"og:description\" content=\"T\u00fcrk nas\u0131l resim yapar? 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