{"id":2269,"date":"2025-04-03T00:48:06","date_gmt":"2025-04-02T21:48:06","guid":{"rendered":"https:\/\/erenyesilyurt.com\/?p=2269"},"modified":"2025-04-03T08:57:28","modified_gmt":"2025-04-03T05:57:28","slug":"selenai-de-felice-mishima-coken-modernlige-karsi-kadim-ve-guzel-bir-olumun-buyusune-kapilmisti","status":"publish","type":"post","link":"https:\/\/erenyesilyurt.com\/index.php\/2025\/04\/03\/selenai-de-felice-mishima-coken-modernlige-karsi-kadim-ve-guzel-bir-olumun-buyusune-kapilmisti\/","title":{"rendered":"Selenia\u00a0De Felice: Mishima \u00e7\u00f6ken modernli\u011fe kar\u015f\u0131, kadim ve g\u00fczel bir \u00f6l\u00fcm\u00fcn b\u00fcy\u00fcs\u00fcne kap\u0131lm\u0131\u015ft\u0131"},"content":{"rendered":"\n

Yukio Mishima’n\u0131n pek \u00e7ok eseri T\u00fcrk\u00e7eye \u00e7evrilmi\u015f olsa da, onun siyaset ve k\u00fclt\u00fcr \u00fczerine d\u00fc\u015f\u00fcnceleri \u00fclkemizde h\u00e2l\u00e2 yeterince bilinmiyor. Muhafazak\u00e2r devrimcilik \u00fczerine yapt\u0131\u011f\u0131m ara\u015ft\u0131rmalarda Mishima, s\u00fcrekli kar\u015f\u0131ma \u00e7\u0131kan \u00f6nemli bir fig\u00fcrd\u00fc. Mishima’n\u0131n d\u00fc\u015f\u00fcnceleri \u00fczerine Idrovolante Edizioni taraf\u0131ndan yay\u0131nlanan “Yukio Mishima: Infinito Samurai” <\/a>kitab\u0131n\u0131n edit\u00f6r\u00fc Selenia De Felice konu\u015ftuk.<\/p>\n\n\n\n

Bize k\u0131saca Yukio Mishima\u2019dan bahsedebilir misiniz?<\/em><\/strong><\/p>\n\n\n

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Yukio Mishima<\/figcaption><\/figure>\n<\/div>\n\n\n

Yukio Mishima, ger\u00e7ek ad\u0131yla Kimitake Hiraoka, Ocak 1925\u2019te Tokyo\u2019da do\u011fdu. 20. y\u00fczy\u0131l Japon k\u00fclt\u00fcr\u00fcn\u00fcn en ilgi \u00e7ekici edebi fig\u00fcrlerinden biri olarak h\u00e2l\u00e2 \u00f6nemli bir yer tuttu. Soylu bir samuray soyundan gelen Mishima, eserlerinde modernlik, manevi ya\u015fam ve d\u00f6nemin Japon end\u00fcstriyel uygarl\u0131\u011f\u0131 aras\u0131ndaki \u00e7o\u011fu zaman \u00e7at\u0131\u015fmal\u0131 birlikteli\u011fi ustal\u0131kla i\u015fledi. 1949\u2019da yay\u0131mlanan \u00e7ok satan roman\u0131 Bir Maskenin \u0130tiraflar\u0131<\/em> ile uluslararas\u0131 arenada \u00fcn kazand\u0131 ve Bat\u0131\u2019ya seyahat etmeye ba\u015flad\u0131. Bu yolculuklar s\u0131ras\u0131nda Antik Yunan\u0131 ke\u015ffetti ve g\u00fczellik ile m\u00fckemmellik felsefesine hayran kald\u0131. Onun anlat\u0131s\u0131n\u0131n temel unsurlar\u0131 aras\u0131nda daima estetik aray\u0131\u015f, dilin titizlikle se\u00e7imi ve \u015fu temalar vard\u0131: G\u00fczellik ve \u00d6l\u00fcm, G\u00fczellik ve \u015eiddet, G\u00fczellik ve Eros.<\/p>\n\n\n\n

Yukio Mishima ayn\u0131 zamanda yetkin bir oyun yazar\u0131 ve n\u014d tiyatrosu uzman\u0131yd\u0131. Bu sanata, kendisini annesinin bak\u0131m\u0131ndan uzakla\u015ft\u0131r\u0131p adeta kendi o\u011flu gibi yeti\u015ftiren anneannesi taraf\u0131ndan y\u00f6nlendirildi. Anneannesinin geleneksel ve a\u011f\u0131rba\u015fl\u0131 ev ortam\u0131, Mishima\u2019n\u0131n \u00e7ocukluk y\u0131llar\u0131n\u0131 derinden etkiledi. Mishima\u2019n\u0131n hayat \u00f6yk\u00fcs\u00fc, eserlerinin do\u011fas\u0131yla paralel \u015fekilde izlendi: Yasak Renkler<\/em> ve Bahar Karlar\u0131<\/em> gibi i\u00e7e d\u00f6n\u00fck eserlerden, 1967\u2019de yazd\u0131\u011f\u0131 Sava\u015f\u00e7\u0131n\u0131n Yolu<\/em>na \u2014 17. y\u00fczy\u0131l samuray\u0131 Tsunetomo Yamamoto\u2019nun Hagakure<\/em> adl\u0131 eserine ki\u015fisel bir yorum \u2014 do\u011fru bir evrim g\u00f6zlemlendi. Hayat\u0131n\u0131n son y\u0131llar\u0131nda, \u0130mparator\u2019u koruma arzusu, kendi finansman\u0131yla kurdu\u011fu \u00f6zel ordu Tate no Kai (Kalkan Toplulu\u011fu) arac\u0131l\u0131\u011f\u0131yla eyleme d\u00f6n\u00fc\u015ft\u00fc. 25 Kas\u0131m 1970\u2019te, General Mashita taraf\u0131ndan y\u00f6netilen Ulusal Savunma Ajans\u0131\u2019n\u0131 bast\u0131ktan sonra, Japon geleneklerinin ve \u00f6zg\u00fcn ruhunun korunmas\u0131na dair son bir konu\u015fma yapt\u0131. Ancak oraya toplananlar onu alaya ald\u0131. Bu kar\u015f\u0131l\u0131k, mesaj\u0131n\u0131n ba\u015far\u0131s\u0131z oldu\u011funu anlayan Mishima, en sevdi\u011fi m\u00fcridini seppuku s\u0131ras\u0131nda yard\u0131mc\u0131 olmas\u0131 i\u00e7in g\u00f6revlendirdi ve rit\u00fcel intihar\u0131 ger\u00e7ekle\u015ftirerek ad\u0131n\u0131 d\u00fcnya tarihine kaz\u0131d\u0131.<\/p>\n\n\n\n

Mishima\u2019n\u0131n Japon toplumunun modernle\u015fme s\u00fcrecine y\u00f6nelik ba\u015fl\u0131ca ele\u015ftirileri nelerdi? Ne t\u00fcr bir k\u00fclt\u00fcrle ili\u015fki kurdu ve milliyet\u00e7ili\u011fe nas\u0131l y\u00f6neldi?<\/em><\/strong><\/p>\n\n\n

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Otuz farkl\u0131 yazar\u0131n katk\u0131 sa\u011flad\u0131\u011f\u0131 bu \u00e7al\u0131\u015fma, Mishima’n\u0131n hayat\u0131, eserleri ve miras\u0131 hakk\u0131nda farkl\u0131 bak\u0131\u015f a\u00e7\u0131lar\u0131 sunmay\u0131 ve okuyucuda yeni bir merak uyand\u0131rmay\u0131 ama\u00e7l\u0131yor.<\/figcaption><\/figure>\n<\/div>\n\n\n

Toplumu ve Japon k\u00fclt\u00fcr\u00fcn\u00fc daha ilerici bir bi\u00e7ime sokma projesi, Meiji d\u00f6nemine (1868\u20131912) kadar izlendi; bu d\u00f6nemde \u015fogunluktan \u00e7\u0131k\u0131larak siyasi d\u00fczlemde imparatorluk iktidar\u0131n\u0131n restorasyonu ger\u00e7ekle\u015ftirildi. Bu d\u00f6nemde, ordu komutanlar\u0131, doktorlar ve devlet m\u00fchendisleri, \u00e7e\u015fitli teknolojileri uygulamal\u0131 bi\u00e7imde \u00f6\u011frenmek amac\u0131yla Avrupa\u2019ya g\u00f6nderildi. Yeni bilgilerle d\u00f6nd\u00fcklerinde, Japonya\u2019n\u0131n yap\u0131s\u0131n\u0131 \u00f6n\u00fcm\u00fczdeki y\u0131llarda de\u011fi\u015ftirecek bir d\u00f6n\u00fc\u015f\u00fcm ba\u015flatt\u0131lar. Ancak bu d\u00f6n\u00fc\u015f\u00fcm\u00fcn bir bedeli de oldu: Bat\u0131 k\u00fclt\u00fcr\u00fcne y\u00f6nelik dengeli bir ilham alma s\u00fcreci, zamanla Japon ya\u015fam tarz\u0131n\u0131n hemen her y\u00f6n\u00fcn\u00fc olumsuz etkileyen a\u015f\u0131r\u0131 bir Bat\u0131l\u0131la\u015fmaya d\u00f6n\u00fc\u015ft\u00fc. Bu durumdan en fazla zarar g\u00f6ren alan ise, hi\u00e7 ku\u015fkusuz, dini ve k\u00fclt\u00fcrel gelenekler oldu.<\/p>\n\n\n\n

Yukio Mishima\u2019n\u0131n ele\u015ftirileri ise onun ya\u015fad\u0131\u011f\u0131 tarihsel ba\u011flamda anla\u015f\u0131ld\u0131. Sh\u014dwa d\u00f6nemi (1926\u20131989), Hirohito\u2019nun h\u00fck\u00fcmdarl\u0131k d\u00f6nemine denk geldi ve modern Japonya\u2019n\u0131n en uzun d\u00f6nemi oldu. Bu s\u00fcre zarf\u0131nda Japonya, II. D\u00fcnya Sava\u015f\u0131\u2019ndaki yenilgiyi ve ard\u0131ndan, g\u00fcne\u015f tanr\u0131\u00e7as\u0131 Amaterasu\u2019nun soyundan geldi\u011fine inan\u0131lan \u0130mparator\u2019un \u201cinsani do\u011fas\u0131n\u0131n\u201d resmen ilan edilmesini (ningen-sengen) deneyimledi. Japon medeniyetinin temelindeki bu de\u011ferlerin \u00e7\u00f6k\u00fc\u015f\u00fc ba\u011flam\u0131nda, Bat\u0131l\u0131 ya\u015fam tarz\u0131n\u0131 benimsemi\u015f (\u0130talyan g\u00f6mlekleri, K\u00fcba purolar\u0131, barok mobilyalar) olsa da, Mishima \u0130mparator fig\u00fcr\u00fcne mutlak sadakatini korudu.<\/p>\n\n\n\n

K\u00fclt\u00fcr\u00fcn Savunusu<\/em> adl\u0131 eserinde, \u015eubat 1936\u2019da, gen\u00e7 subaylardan olu\u015fan bir grubun, mali oligar\u015finin a\u015f\u0131r\u0131 g\u00fcc\u00fcn\u00fc s\u0131n\u0131rlayacak bir devlet reformu talebiyle soka\u011fa \u00e7\u0131kt\u0131\u011f\u0131 bir olay anlatt\u0131. Bu subaylar, \u0130mparator Hirohito\u2019nun deste\u011fini umdular; ancak \u0130mparator onlar\u0131 desteklemedi\u011fi gibi, seppuku yapmayan askerlerin halk \u00f6n\u00fcnde idam edilmesini emretti. Mishima, bu olaya \u201cahlaki devrim\u201d g\u00f6z\u00fcyle bakt\u0131ysa da, onun g\u00f6z\u00fcnde \u0130mparator\u2019a olan inan\u00e7, imparatorluk sisteminin i\u00e7kin bir devrim bi\u00e7imi olarak kald\u0131.<\/p>\n\n\n\n

\u201cMuhafazak\u00e2r devrimcilik\u201d ba\u011flam\u0131nda, Mishima\u2019n\u0131n geleneksel k\u00fclt\u00fcre derin ba\u011fl\u0131l\u0131\u011f\u0131 ve politik d\u00f6n\u00fc\u015f\u00fcm arzusu hangi noktalarda birle\u015fti?<\/em><\/strong><\/p>\n\n\n\n

Yine 26 \u015eubat Olaylar\u0131 ba\u011flam\u0131nda, Mishima\u2019ya g\u00f6re geleneksel de\u011ferlere ba\u011fl\u0131l\u0131k, siyasi sahada bu de\u011ferlerin yeniden tesisi anlam\u0131na geldi ve her zaman \u0130mparator\u2019un merkez\u00ee konumunu temel ald\u0131. Ayr\u0131ca, \u201cb\u00fct\u00fcn d\u00fcnya tek \u00e7at\u0131 alt\u0131nda\u201d anlam\u0131na gelen Hakko-ichiu<\/em> idealine de vurgu yapt\u0131. Bu fikir, Japon de\u011ferlerinin evrenselli\u011fini savundu ve Japonya\u2019y\u0131 bu de\u011ferlerin d\u00fcnyaya yay\u0131lmas\u0131nda \u00f6nc\u00fc bir ulus olarak g\u00f6rd\u00fc. Mishima\u2019ya g\u00f6re, \u00f6zellikle Japonca edebiyat, dilin \u015fekillendirici rol\u00fc nedeniyle k\u00fclt\u00fcr ve siyasetin in\u015fas\u0131nda temel bir ara\u00e7 oldu.<\/p>\n\n\n\n

Mishima\u2019n\u0131n 13 May\u0131s 1969\u2019da Tokyo \u00dcniversitesi\u2019nde sol g\u00f6r\u00fc\u015fl\u00fc \u00f6\u011frenci liderleriyle yapt\u0131\u011f\u0131 \u00fcnl\u00fc tart\u0131\u015fmadan bahsedebilir misiniz? Bu tart\u0131\u015fman\u0131n Japon entelekt\u00fcel ortam\u0131nda nas\u0131l bir simgesel anlam\u0131 vard\u0131 ve sonraki ku\u015faklar\u0131n politik-felsefi y\u00f6nelimlerini nas\u0131l etkiledi?<\/em><\/strong><\/p>\n\n\n\n

“Ben bir Japonum. B\u00f6yle do\u011fdum ve b\u00f6yle \u00f6lece\u011fim. Ba\u015fka bir \u015fey olmak istemiyorum!”
Bu ifade, 13 May\u0131s 1969 tarihinde Yukio Mishima\u2019n\u0131n sol g\u00f6r\u00fc\u015fl\u00fc Zenky\u014dt\u014d \u00f6\u011frenci hareketiyle yapt\u0131\u011f\u0131 \u00fcniversite bulu\u015fmas\u0131nda sarf edilir. Mishima, o g\u00fcn Tokyo \u00dcniversitesi\u2019ne davet edilir ve d\u00f6nemin etkili sol hareketlerinin \u00f6nde gelen isimlerinden biri olan Akuta Masahito ile tart\u0131\u015fmaya girer; Akuta bug\u00fcn \u00e7a\u011fda\u015f Japon tiyatrosunun sayg\u0131n bir ustas\u0131d\u0131r.<\/p>\n\n\n\n

Bu kar\u015f\u0131la\u015fma \u00f6ylesine hareketli ve serttir ki, adeta bir eskrim m\u00fcsabakas\u0131n\u0131 and\u0131r\u0131r. Mishima, bu tart\u0131\u015fma s\u0131ras\u0131nda d\u00fc\u015f\u00fcncesinin iki temel noktas\u0131n\u0131 \u2014 \u015fa\u015f\u0131rt\u0131c\u0131 bi\u00e7imde Zenky\u014dt\u014d ile ortak olan \u2014 yeniden teyit eder: entelekt\u00fcalizme kar\u015f\u0131tl\u0131k ve \u015fiddetin kabul\u00fc, e\u011fer sa\u011flam bir ideolojik temele dayan\u0131yorsa.<\/p>\n\n\n\n

1960\u2019lar ile 70\u2019lerin e\u015fi\u011finde Japonya, art\u0131k ge\u00e7mi\u015f ac\u0131lara kar\u015f\u0131 hissizle\u015fmi\u015f, t\u00fcm enerjisini ekonomik yeniden yap\u0131lanmaya y\u00f6neltmi\u015ftir; ancak bu kalk\u0131nma, manevi bir kar\u015f\u0131l\u0131k bulamamaktad\u0131r. Bu atmosferde Mishima, \u00fclkede bar\u0131\u015f yanl\u0131s\u0131 sol kesimler taraf\u0131ndan nefretle kar\u015f\u0131lan\u0131r, muhafazak\u00e2r sa\u011f ise onu mesafeyle ve \u015f\u00fcpheyle izler. Zira o, siyasal a\u00e7\u0131dan sabit bir konuma yerle\u015ftirilemeyecek kadar eklektik ve s\u0131ra d\u0131\u015f\u0131 bir fig\u00fcr.<\/p>\n\n\n\n

Mishima\u2019n\u0131n ideolojisi ile sanat ve estetik anlay\u0131\u015f\u0131 (\u00f6zellikle beden, g\u00fczellik, disiplin ve \u00f6l\u00fcm) aras\u0131nda nas\u0131l bir ili\u015fki vard\u0131? Ondan sonra gelen yazar ve d\u00fc\u015f\u00fcn\u00fcrleri nas\u0131l etkiledi?<\/em><\/strong><\/p>\n\n\n\n

T\u0131pk\u0131 \u0130talya\u2019da Gabriele D\u2019Annunzio\u2019nun yapt\u0131\u011f\u0131 gibi, Mishima da ya\u015fam\u0131 ve eserlerini ge\u00e7mi\u015fe y\u00f6nelik g\u00fc\u00e7l\u00fc bir \u00e7a\u011fr\u0131yla birle\u015ftirdi. D\u00f6neminin entelekt\u00fcel elitleri gelece\u011fe y\u00f6nelirken, o ge\u00e7mi\u015fin disiplinini ve g\u00fczelli\u011fini sahiplendi. Belki de tesad\u00fcf de\u011fil\u2074 , Mishima, D\u2019Annunzio\u2019nun eserlerini Japoncaya \u00e7evirdi.<\/p>\n\n\n\n

Onun ideolojisiyle estetik anlay\u0131\u015f\u0131 aras\u0131nda g\u00fc\u00e7l\u00fc bir ba\u011f vard\u0131. Romanlar\u0131nda bedenin maddeselli\u011fi, bu bedenin \u201cplastik\u201d tasvirleri ve disiplin vurgusu hep \u00f6n planda oldu. Gen\u00e7li\u011finde fiziksel olarak zay\u0131f g\u00f6r\u00fcld\u00fc\u011f\u00fc i\u00e7in askerli\u011fe al\u0131nmad\u0131. Ancak Yunanistan gezisinden sonra klasik heykellerin oranl\u0131 yap\u0131s\u0131n\u0131 g\u00f6rd\u00fc ve Japonya\u2019ya d\u00f6ner d\u00f6nmez d\u00f6v\u00fc\u015f sanatlar\u0131 ve v\u00fccut geli\u015ftirmeye ba\u015flad\u0131. Ellerini ba\u015f\u0131n\u0131n \u00fcst\u00fcne koymu\u015f, g\u00f6\u011fs\u00fcnden oklarla vurulmu\u015f bir \u015fekilde San Sebastiyan gibi poz verdi\u011fi ikonik foto\u011fraf\u0131, neredeyse herkesin bir kez g\u00f6rd\u00fc\u011f\u00fc bir g\u00f6r\u00fcnt\u00fc oldu.<\/p>\n\n\n\n

Yukio Mishima\u2019dan h\u00e2l\u00e2 neden ciddiyetle bahsettik? Do\u011fumunun \u00fczerinden y\u00fcz y\u0131l ge\u00e7ti, k\u00fclt\u00fcrel olarak ondan y\u00fcz binlerce kilometre uzakta olsak da, eserleri ve d\u00fc\u015f\u00fcnsel \u00e7izgisi g\u00fcn\u00fcm\u00fczde bile \u2013 kimilerine g\u00f6re \u00fcrk\u00fct\u00fcc\u00fc \u2013 b\u00fcy\u00fcleyici bir etki ta\u015f\u0131d\u0131.<\/p>\n\n\n\n

Mishima Avrupa\u2019da nas\u0131l kar\u015f\u0131land\u0131? Onun milliyet\u00e7ilik anlay\u0131\u015f\u0131 ile Avrupa\u2019daki sa\u011f entelekt\u00fcellerin k\u00fclt\u00fcrel kriz yorumlar\u0131 aras\u0131nda nas\u0131l benzerlikler kuruldu?<\/em><\/strong><\/p>\n\n\n\n

\u00c7ok satan romanlar\u0131na ra\u011fmen, Yukio Mishima\u2019n\u0131n Avrupa\u2019da Haruki Murakami veya Yasunari Kawabata gibi Japon yazarlarla k\u0131yaslanabilecek d\u00fczeyde tan\u0131nd\u0131\u011f\u0131n\u0131 s\u00f6ylemek zordu. Bunun nedeni, \u00f6zellikle K\u00fclt\u00fcr\u00fcn Savunusu<\/em> gibi kimi eserlerinin siyasi ve felsefi niteli\u011fe sahip olmas\u0131yd\u0131. Bu t\u00fcr eserler, Japon tarihine ve k\u00fclt\u00fcr\u00fcne \u00f6zel bir ilgi gerektirdi.<\/p>\n\n\n\n

Elbette David Bowie gibi sanat\u00e7\u0131lar veya foto\u011fraf\u00e7\u0131 Eik\u014d Hosoe onun Bat\u0131\u2019da tan\u0131nmas\u0131na katk\u0131 sa\u011flad\u0131. Ancak baz\u0131 Bat\u0131l\u0131 \u00e7evrelerin Mishima\u2019y\u0131 bir \u201cpop ikonu\u201d olarak sunmas\u0131, ne kadar do\u011fru oldu?<\/p>\n\n\n\n

\u00d6te yandan sa\u011f entelekt\u00fcel \u00e7evrelerde Mishima, felsefi-siyasi metinlerinin evrensel do\u011fas\u0131 nedeniyle \u00f6nemli bir referans kabul edildi. G\u00fcne\u015f ve \u00c7elik<\/em> ya da Gen\u00e7 Samuraylar \u0130\u00e7in Dersler<\/em> gibi kitaplar, sade ve \u00f6\u011fretici yap\u0131lar\u0131 sayesinde, kendi \u00fclkelerinde ve zamanlar\u0131nda gelenekleri savunan herkes i\u00e7in bir t\u00fcr el kitab\u0131 i\u015flevi g\u00f6rd\u00fc. Bu eserler, Lizbon\u2019dan Budape\u015fte\u2019ye kadar geleneksel de\u011ferlere dayal\u0131 siyasal angajman aray\u0131\u015f\u0131nda olanlara ilham kayna\u011f\u0131 oldu.<\/p>\n\n\n\n

25 Kas\u0131m 1970\u2019te Mishima\u2019n\u0131n ger\u00e7ekle\u015ftirdi\u011fi seppuku, onun ideolojik ve estetik aray\u0131\u015f\u0131n\u0131n zirvesi miydi, yoksa Japon toplumunun modernle\u015fmesine ve kendi ideallerine kar\u015f\u0131 duydu\u011fu derin hayal k\u0131r\u0131kl\u0131\u011f\u0131n\u0131n bir d\u0131\u015favurumu muydu?<\/em><\/strong><\/p>\n\n\n\n

Yukio Mishima, \u00f6l\u00fcm bi\u00e7imi olarak eski samuraylar\u0131n uygulad\u0131\u011f\u0131 rit\u00fcel intihar olan seppuku\u2019yu tesad\u00fcfen se\u00e7memi\u015ftir; tam tersine, art\u0131k tamamen duyars\u0131zla\u015fm\u0131\u015f olan Japon toplumuna kar\u015f\u0131 duydu\u011fu derin hayal k\u0131r\u0131kl\u0131\u011f\u0131n\u0131 somut ve son derece dramatik bir \u015fekilde g\u00f6stermek istemi\u015ftir. Ancak ayn\u0131 zamanda, bu eylem son nefesine kadar estetik bir b\u00fct\u00fcnl\u00fck arzusu olarak da yorumlanabilir. Mishima, ger\u00e7ekten de hayat\u0131n bir sava\u015f\u00e7\u0131s\u0131yd\u0131; yava\u015f yava\u015f \u00e7\u00f6ken modernli\u011fe kar\u015f\u0131, kadim ve g\u00fczel bir \u00f6l\u00fcm\u00fcn b\u00fcy\u00fcs\u00fcne kap\u0131lm\u0131\u015ft\u0131 \u2014 bu, onun i\u00e7in ka\u00e7\u0131n\u0131lmaz \u00e7\u00f6k\u00fc\u015fe kar\u015f\u0131 kusursuz bir panzehirdi.<\/p>\n\n\n\n

<\/p>\n","protected":false},"excerpt":{"rendered":"

Yukio Mishima’n\u0131n pek \u00e7ok eseri T\u00fcrk\u00e7eye \u00e7evrilmi\u015f olsa da, onun siyaset ve k\u00fclt\u00fcr \u00fczerine d\u00fc\u015f\u00fcnceleri \u00fclkemizde h\u00e2l\u00e2 yeterince bilinmiyor. Muhafazak\u00e2r devrimcilik \u00fczerine yapt\u0131\u011f\u0131m ara\u015ft\u0131rmalarda Mishima, s\u00fcrekli kar\u015f\u0131ma \u00e7\u0131kan \u00f6nemli bir fig\u00fcrd\u00fc. Mishima’n\u0131n d\u00fc\u015f\u00fcnceleri \u00fczerine Idrovolante Edizioni taraf\u0131ndan yay\u0131nlanan “Yukio Mishima: Infinito Samurai” kitab\u0131n\u0131n edit\u00f6r\u00fc Selenia De Felice konu\u015ftuk. Bize k\u0131saca Yukio Mishima\u2019dan bahsedebilir misiniz? Yukio… Continue reading →<\/span><\/a><\/span><\/p>\n","protected":false},"author":1,"featured_media":2271,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[58,1],"tags":[],"class_list":["post-2269","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-gorus","category-roportajlar"],"yoast_head":"\nSelenia\u00a0De Felice: Mishima \u00e7\u00f6ken modernli\u011fe kar\u015f\u0131, kadim ve g\u00fczel bir \u00f6l\u00fcm\u00fcn b\u00fcy\u00fcs\u00fcne kap\u0131lm\u0131\u015ft\u0131 - Eren Ye\u015filyurt<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/erenyesilyurt.com\/index.php\/2025\/04\/03\/selenai-de-felice-mishima-coken-modernlige-karsi-kadim-ve-guzel-bir-olumun-buyusune-kapilmisti\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Selenia\u00a0De Felice: Mishima \u00e7\u00f6ken modernli\u011fe kar\u015f\u0131, kadim ve g\u00fczel bir \u00f6l\u00fcm\u00fcn b\u00fcy\u00fcs\u00fcne kap\u0131lm\u0131\u015ft\u0131 - Eren Ye\u015filyurt\" \/>\n<meta property=\"og:description\" content=\"Yukio Mishima’n\u0131n pek \u00e7ok eseri T\u00fcrk\u00e7eye \u00e7evrilmi\u015f olsa da, onun siyaset ve k\u00fclt\u00fcr \u00fczerine d\u00fc\u015f\u00fcnceleri \u00fclkemizde h\u00e2l\u00e2 yeterince bilinmiyor. 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Muhafazak\u00e2r devrimcilik \u00fczerine yapt\u0131\u011f\u0131m ara\u015ft\u0131rmalarda Mishima, s\u00fcrekli kar\u015f\u0131ma \u00e7\u0131kan \u00f6nemli bir fig\u00fcrd\u00fc. Mishima’n\u0131n d\u00fc\u015f\u00fcnceleri \u00fczerine Idrovolante Edizioni taraf\u0131ndan yay\u0131nlanan “Yukio Mishima: Infinito Samurai” kitab\u0131n\u0131n edit\u00f6r\u00fc Selenia De Felice konu\u015ftuk. Bize k\u0131saca Yukio Mishima\u2019dan bahsedebilir misiniz? Yukio... 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