{"id":694,"date":"2024-04-04T12:00:08","date_gmt":"2024-04-04T09:00:08","guid":{"rendered":"https:\/\/erenyesilyurt.com\/?p=694"},"modified":"2024-08-22T00:04:29","modified_gmt":"2024-08-21T21:04:29","slug":"khadim-ali-tarihi-hikayelerimizin-kendi-dillerinde-olmadigi-diyarlarda-yasiyorum","status":"publish","type":"post","link":"https:\/\/erenyesilyurt.com\/index.php\/2024\/04\/04\/khadim-ali-tarihi-hikayelerimizin-kendi-dillerinde-olmadigi-diyarlarda-yasiyorum\/","title":{"rendered":"Khadim Ali: Tarihi hikayelerimizin kendi dillerinde olmad\u0131\u011f\u0131 diyarlarda ya\u015f\u0131yorum"},"content":{"rendered":"\n

Khadim Ali<\/a> i\u015flerini merak ve ilgiyle takip etti\u011fim sanat\u00e7\u0131lardan birisi. Yo\u011fun program\u0131 aras\u0131nda bu k\u0131sa r\u00f6portaj\u0131 yapma imkan\u0131 bulabildik. Minyat\u00fcr sanat\u0131 kullanarak\u00a0 geli\u015ftirdi\u011fi protest tav\u0131r ayr\u0131 bir ilgiyi hak ediyor. T\u00fcrkiye\u2019de minyat\u00fcr sanat\u0131n\u0131n imkanlar\u0131\u00a0 \u00fczerine yeterince teorik tart\u0131\u015fmalar\u0131n olmad\u0131\u011f\u0131 ve metinlerin \u00fcretilmedi\u011fi de bir ger\u00e7ek. T\u00fcrkiye\u2019de ilk r\u00f6portaj oldu\u011funu belirtmeliyim. <\/p>\n\n\n\n

Sizi tan\u0131yarak ba\u015flayabilir miyiz? Hazara  k\u00f6kenli bir aileden geliyorsunuz. <\/em><\/strong><\/p>\n\n\n\n

\u00d6ncelikle, bu r\u00f6portaj i\u00e7in te\u015fekk\u00fcr ederim. Kendimden bahsetmek ve kimli\u011fimi kelimelerle ifade etmek benim i\u00e7in en zor benim i\u00e7in. Kendimi en iyi tan\u0131tman\u0131n yolu\u00a0 eserlerim. Asl\u0131nda, sadece sanat eserlerimden ibaretim. Yine de ben Khadim Ali, Pakistan’da do\u011fdum. Hazara’lar\u0131n, \u015eahname\u00a0 ve Tarih-i Beyhaki\u00a0 dahil olmak \u00fczere en \u00f6nemli Fars edebi eserlerinin yaz\u0131ld\u0131\u011f\u0131 bir \u015fehir olan Gazne’nin Hazaralar\u0131ndan\u0131m.\u00a0<\/p>\n\n\n\n

\u015eu anki Fars\u00e7a Kelile ve Dimne versiyonu  bir Gazne terc\u00fcmesi. Kelile ve Dimne ile \u015eahname son \u00e7al\u0131\u015fmalar\u0131m\u0131n temelini olu\u015fturuyor. Neyse, tarihi ge\u00e7mi\u015fim Gazne’ye kadar uzan\u0131yor. Amir Abd\u00fcl Rahman d\u00f6nemindeki korkun\u00e7 katliamlardan sonra, 1890’larda, Hindistan’a ka\u00e7t\u0131lar ve Pakistan’\u0131n Hindistan’dan ayr\u0131lmas\u0131ndan sonra, Pakistan’a yerle\u015ftik. Ben Pakistan’\u0131n k\u00fc\u00e7\u00fck bir kasabas\u0131 olan Ketta\u2019’n\u0131n Hazara toplulu\u011funda do\u011fdum. Okulumu orada tamamlad\u0131m ve daha sonra Lahore’daki Ulusal G\u00fczel Sanatlar Koleji’ne gitmek \u00fczere oradan ayr\u0131ld\u0131m. \u015eu anda Sydney, Avustralya’da ya\u015f\u0131yorum. Avustralyal\u0131 bir Hazara olarak \u00e7al\u0131\u015fmalar\u0131m\u0131 s\u00fcrd\u00fcr\u00fcyorum.<\/p>\n\n\n\n

Minyat\u00fcr sanat\u0131na ilginiz nas\u0131l ba\u015flad\u0131?<\/em><\/strong><\/p>\n\n\n\n

Do\u011frusu bu soru bana bir \u00e7ok kez\u00a0 soruldu ve\u00a0 yan\u0131tlad\u0131m. Soyu birka\u00e7 nesil \u00f6ncesine, Gazne \u015fehrine dayanan birisi\u00a0 i\u00e7in minyat\u00fcr resme olan ilgi garip de\u011fil. Gazne \u015eehnamenin \u015fehri ve \u015eehname\u2019yi okuma k\u00fclt\u00fcr\u00fc orada \u00f6zel bir yere sahip. Atalar\u0131m topraklar\u0131n\u0131 ve evlerini kaybettiler ama dilsel ve k\u00fclt\u00fcrel bir miras olarak \u015eahname okumay\u0131 Hindistan\/Pakistan’a beraberlerinde getirdiler. Bir \u015fekilde Gazne’yi hayallerine ta\u015f\u0131m\u0131\u015flar ya da belki de yeni topraklarda hayali bir Gazne yaratm\u0131\u015flar.\u00a0<\/p>\n\n\n\n

\"\"<\/figure>\n\n\n\n

\u00c7ocuklu\u011fum bu hayali \u00e7er\u00e7eve i\u00e7inde ge\u00e7ti. \u015eehname’nin surlar\u0131nda \u015fehirlerden da\u011flara s\u00fcr\u00fcld\u00fcm. Kahramanlar\u0131nda rakiplerimi yaralad\u0131m ve onlar taraf\u0131ndan yaraland\u0131m. Ate\u015f p\u00fcsk\u00fcrten ejderhalarla sava\u015ft\u0131m. Simurg’la birlikte Belh ve Bamiyan’daki Kaf da\u011flar\u0131na u\u00e7tum. Bu renkli hayaller sadece hikayeler ve kelimelerden ibaret de\u011fildi, ayn\u0131 zamanda imgelerdi de. Ya\u015fad\u0131klar\u0131 d\u00f6nemde  sanat\u00e7\u0131lar bu hayalleri g\u00f6rselle\u015ftirmeye \u00e7al\u0131\u015fm\u0131\u015flard\u0131. Bu g\u00f6r\u00fcnt\u00fcleri g\u00f6rmek benim i\u00e7in b\u00fcy\u00fcleyici ve \u015fa\u015f\u0131rt\u0131c\u0131yd\u0131. Bu imgeler beni onlar\u0131n d\u00fcnyas\u0131na g\u00f6t\u00fcrd\u00fc ve misyonu tarihsel mitleri ve kolektif hayalleri g\u00f6rselle\u015ftirmek olan sanat\u00e7\u0131lar\u0131n aras\u0131na kat\u0131lmama neden oldu. Bir ba\u015fka \u00f6nemli nokta daha vard\u0131. Atalar\u0131m\u0131n yeni topraklara beraberlerinde getirdikleri kolektif an\u0131lar\u0131 ve hikayeleri g\u00f6rselle\u015ftirmek ve onlar\u0131n hayal g\u00fc\u00e7lerini g\u00f6stermekti.<\/p>\n\n\n\n

Minyat\u00fcr sanat\u0131  bir kitap sanat\u0131 olarak ortaya \u00e7\u0131k\u0131yor. Var olan bir durumu oldu\u011fu gibi tasvir etmek i\u00e7in kullan\u0131yor. Kimi insanlar taraf\u0131ndan soyutlama  sa\u011flam\u0131yor olarak alg\u0131lan\u0131yor. Sizce  minyat\u00fcr sanat\u00e7\u0131ya  nas\u0131l bir imkan sunuyor? <\/em><\/strong><\/p>\n\n\n\n

Hakl\u0131s\u0131n\u0131z. \u0130slam d\u00fcnyas\u0131nda minyat\u00fcr sanat\u0131 kitaplarla ili\u015fkilendirilen bir sanat formu olarak kar\u015f\u0131m\u0131za \u00e7\u0131k\u0131yor. Elbette bu ili\u015fkilendirme sadece minyat\u00fcrlere \u00f6zg\u00fc de\u011fil. M\u00fczik, dans ve kendini kitaplarla ve s\u00f6zlerle b\u00fct\u00fcnle\u015ftiremeyen di\u011fer sanatlar ciddi \u015fekilde zarar g\u00f6rm\u00fc\u015ft\u00fcr. Minyat\u00fcr sanat\u0131 kitaplar\u0131n ayr\u0131lmaz bir par\u00e7as\u0131 olma \u015fans\u0131na sahipti.<\/p>\n\n\n\n

\"\"<\/figure>\n\n\n\n

Acayib\u00fc’l-Mahlukat ve Kelile ve Dimne’den  Gencevi ve Firdevsi’nin eserlerine kadar t\u00fcm \u00f6nemli kitaplar\u0131n eski bask\u0131lar\u0131 minyat\u00fcrlerle s\u00fcslenmi\u015ftir. Minyat\u00fcr sanat\u0131 ikili bir tarihsel misyon \u00fcstlenmi\u015ftir: yaz\u0131l\u0131 \u00f6yk\u00fcleri g\u00f6rselle\u015ftirmek ve y\u00f6neticiler ile yazarlar aras\u0131ndaki dilsel u\u00e7urumu kapatmak. \u00d6nemli Fars\u00e7a kitaplar, ana dilleri Fars\u00e7a olmayan T\u00fcrk ve Mo\u011fol h\u00fck\u00fcmdarlar\u0131n\u0131n \u00fcr\u00fcn\u00fcd\u00fcr. Bu kitaplar\u0131n minyat\u00fcrlerle g\u00f6rselle\u015ftirilmesi h\u00fck\u00fcmdarlar\u0131n ilgisini \u00e7ekmi\u015ftir.  Bu arada ben de benzer bir durumday\u0131m. Tarihi hikayelerimizin kendi dillerinde olmad\u0131\u011f\u0131 diyarlarda ya\u015f\u0131yorum.<\/p>\n\n\n\n

Sizin eserlerinizde bakt\u0131\u011f\u0131mda protest politik bir tarafta var bir di\u011fer yandan ba\u015fta Siyah Kalem, \u015eehname  gibi klasiklerde var. Asl\u0131nda z\u0131t gibi g\u00f6z\u00fcken bir b\u00fct\u00fcn var. Siz kendi sanat\u0131n\u0131z\u0131 nas\u0131l tan\u0131ml\u0131yorsunuz ve nas\u0131l olu\u015fturdunuz? <\/em><\/strong><\/p>\n\n\n\n

Bence ge\u00e7mi\u015fi  s\u00fcrekli tekrarlamak sadece gereksiz de\u011fil ayn\u0131 zamanda bir\u00e7ok a\u00e7\u0131dan sa\u00e7ma ve komik bir hal al\u0131yor. Firdevsi tarz\u0131nda \u015fiir yazmak anlams\u0131z oldu\u011fu gibi, Behzad’\u0131n eserlerini kopyalamak da sanat\u0131n geli\u015fimine katk\u0131da bulunmaz. G\u00fcn\u00fcm\u00fcz minyat\u00fcr sanat\u00e7\u0131lar\u0131n\u0131n sorunlar\u0131ndan birisi de kopyalama ve tekrar tuza\u011f\u0131na d\u00fc\u015fmektir. Belki de hakim e\u011filim tekrard\u0131r. Tekrarlar genellikle h\u00fck\u00fcmdarlar\u0131 \u00f6ne \u00e7\u0131karmay\u0131 ve romantikle\u015ftirmeyi ama\u00e7l\u0131yor. Y\u0131llar boyunca birka\u00e7 hedefin pe\u015finden gitmeye \u00e7al\u0131\u015ft\u0131m. <\/p>\n\n\n\n

Birincisi, minyat\u00fcr\u00fcn modernle\u015ftirilmesi. Minyat\u00fcr gelene\u011fine sad\u0131k kalmakla birlikte, elimden geldi\u011fince bi\u00e7imsel ve i\u00e7eriksel de\u011fi\u015fiklikler getirmeye \u00e7al\u0131\u015f\u0131yorum. Sanat ele\u015ftirmenleri minyat\u00fcr \u00e7al\u0131\u015ft\u0131\u011f\u0131m\u0131 biliyorlar. \u00c7al\u0131\u015fmalar\u0131m\u0131 do\u011frudan eski minyat\u00fcrlerle ili\u015fkilendirmek o kadar kolay de\u011fil. \u0130kincisi, egemen anlat\u0131y\u0131 y\u0131kmak ve olumsuzu vurgulamak.<\/p>\n\n\n\n

Bir sanat\u00e7\u0131 olarak Filistin\u2019de olanlar i\u00e7in ne d\u00fc\u015f\u00fcn\u00fcyorsunuz.<\/em><\/strong><\/p>\n\n\n\n

Filistin konusunda o\u00a0 parampar\u00e7ay\u0131m ki, 75 y\u0131ld\u0131r orada akan kan ad\u0131na konu\u015facak bir \u015fey s\u00f6ylemeye ger\u00e7ekten cesaret edemiyorum.<\/p>\n","protected":false},"excerpt":{"rendered":"

Khadim Ali i\u015flerini merak ve ilgiyle takip etti\u011fim sanat\u00e7\u0131lardan birisi. Yo\u011fun program\u0131 aras\u0131nda bu k\u0131sa r\u00f6portaj\u0131 yapma imkan\u0131 bulabildik. Minyat\u00fcr sanat\u0131 kullanarak\u00a0 geli\u015ftirdi\u011fi protest tav\u0131r ayr\u0131 bir ilgiyi hak ediyor. T\u00fcrkiye\u2019de minyat\u00fcr sanat\u0131n\u0131n imkanlar\u0131\u00a0 \u00fczerine yeterince teorik tart\u0131\u015fmalar\u0131n olmad\u0131\u011f\u0131 ve metinlerin \u00fcretilmedi\u011fi de bir ger\u00e7ek. T\u00fcrkiye\u2019de ilk r\u00f6portaj oldu\u011funu belirtmeliyim. Sizi tan\u0131yarak ba\u015flayabilir miyiz? Hazara … Continue reading →<\/span><\/a><\/span><\/p>\n","protected":false},"author":1,"featured_media":1612,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[1,59],"tags":[],"class_list":["post-694","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-roportajlar","category-sanatcilar"],"yoast_head":"\nKhadim Ali: Tarihi hikayelerimizin kendi dillerinde olmad\u0131\u011f\u0131 diyarlarda ya\u015f\u0131yorum - Eren Ye\u015filyurt<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/erenyesilyurt.com\/index.php\/2024\/04\/04\/khadim-ali-tarihi-hikayelerimizin-kendi-dillerinde-olmadigi-diyarlarda-yasiyorum\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Khadim Ali: Tarihi hikayelerimizin kendi dillerinde olmad\u0131\u011f\u0131 diyarlarda ya\u015f\u0131yorum - Eren Ye\u015filyurt\" \/>\n<meta property=\"og:description\" content=\"Khadim Ali i\u015flerini merak ve ilgiyle takip etti\u011fim sanat\u00e7\u0131lardan birisi. 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Yo\u011fun program\u0131 aras\u0131nda bu k\u0131sa r\u00f6portaj\u0131 yapma imkan\u0131 bulabildik. Minyat\u00fcr sanat\u0131 kullanarak\u00a0 geli\u015ftirdi\u011fi protest tav\u0131r ayr\u0131 bir ilgiyi hak ediyor. T\u00fcrkiye\u2019de minyat\u00fcr sanat\u0131n\u0131n imkanlar\u0131\u00a0 \u00fczerine yeterince teorik tart\u0131\u015fmalar\u0131n olmad\u0131\u011f\u0131 ve metinlerin \u00fcretilmedi\u011fi de bir ger\u00e7ek. T\u00fcrkiye\u2019de ilk r\u00f6portaj oldu\u011funu belirtmeliyim. Sizi tan\u0131yarak ba\u015flayabilir miyiz? Hazara ... 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